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In the heart of Manhattan, aesthetician and skincare savant Danielle Gamble has quietly risen to become one of New York City’s most sought-after experts in facial sculpting and anti-aging treatments. With over a decade of experience and a deep, intellectual approach to skincare, Danielle has earned a devoted clientele who swear by her facials that lift, chisel, and sculpt the face with astonishing precision. After one appointment with her, your face won’t just glow—it will be noticeably snatched and sculpted for three or more days, helping combat the signs of jetlag, stress, dehydration, and everyday life. I had a recent experience with Danielle, seeking her help during a weekend full of events in New York, when I knew both my skin and exhaustion level would be put to the test. A series of late nights were in front of me and I thought one of her treatments, punctuating my crazy schedule, would be just the trick to keep my face looking its best throughout the weekend. And, did that bet pay off! I felt tired by the end of this marathon, but thanks to her, I never looked better. Each session with Danielle begins with a one-on-one consultation, where she pinpoints the root cause of your skin concerns—whether it's fine lines, sagging, dullness, or dehydration. Her facials are never one-size-fits-all. Instead, they are tailored with an artful combination of modalities and a deep understanding of anatomy and skin science. Her hands are often described by clients as “magic wands,” lifting and redefining facial structure with precision and grace. She doesn’t just give you a facial—she gives you a transformation. And, it's not just the skin on your face that is addressed. She works on your face, neck, chest, and even extends out to your shoulders and upper arms. At the core of Danielle’s signature treatments is the use of the gold-standard Biologique Recherche Remodeling Face treatment. Available in both 60- and 90-minute versions, this treatment harnesses the power of the iconic BR microcurrent device to deliver low-level bio-electronic currents deep into the skin. These currents stimulate facial muscles, improve circulation, enhance lymphatic drainage, and visibly lift the contours of the face. The results are immediate: cheekbones emerge, jawlines sharpen, and eyes lift. And while the glow is apparent the moment you leave the studio, many clients report a lifted, chiseled effect that lasts three or more days. Among her most in-demand offerings is the DGSkin Platinum Lift—available exclusively at her New York City and Maplewood, New Jersey studios. This luxurious experience is far more than a facial. It’s an all-encompassing ritual that includes deep cleansing, microdermabrasion, extractions, oxygen therapy, ultrasound, a collagen mask, and Danielle’s signature microcurrent sculpting. The treatment is finished with a layer of the exclusive MBR Liquid Surgery Serum—a high-performance formula featuring colloidal gold and neuromuscular relaxants that deliver clinical-level results without a needle in sight. The result is a radiant, firm, and deeply rejuvenated complexion that continues to improve over time. Danielle’s expertise hasn’t gone unnoticed. A-list clients and skincare insiders have long praised her hands and her intellect. One longtime client noted that Danielle “targets the core reason behind the problem and treats the whole client from the inside out.” Actor Jason Beghe also credited Danielle’s work for the “consistent, hyper-enthusiastic compliments” he receives on his skin. Prior to founding her own practice, Danielle spent five years as the lead aesthetician for Sisley Paris in New York, where she refined her mastery of botanical ingredients and developed a reputation for delivering exquisite pre-bridal skin. Danielle sees clients by appointment at two locations: her new, New York City studio, and her intimate Maplewood, NJ space. The experience in each location is deeply personal—an escape from the noise of daily life where your skin is the singular focus. Her New York studio is open Tuesday through Saturday and offers an array of options, from bespoke facials and chemical peels to microneedling and Biologique Recherche boosters. What sets Danielle apart is not only her technique, but her deep respect for the skin’s complexity. Her treatments combine sculptural facial massage, state-of-the-art tools, and intelligent product layering. She doesn’t chase trends. She builds skin health. The Danielle Gamble experience is not about quick fixes. It’s about real, sustainable improvement that begins with the hands of a master and ends with skin that looks like it’s been sculpted, filtered, and finessed—all without a drop of makeup. If you're seeking a facial that truly works, from a practitioner whose knowledge is only rivaled by her touch, then look no further.

Every summer, as the sun dips into the horizon over Fire Island, a magnetic energy begins to build. It crackles through the Pines like a warm electric current, summoning people from around the globe for what has become one of the most iconic LGBTQ+ events in the United States: Pines Party . Equal parts fantasy, freedom, and philanthropy, this legendary celebration is far more than a beachside rave—it is a movement, a memory, and a mission all in one. Set against the stunning backdrop of Fire Island Pines, the Pines Party is a transcendent 24-hour journey that merges high-concept production, unforgettable music, and inclusive community spirit into one unforgettable experience. But beyond the strobe lights and glitter lies something deeper: a tradition rooted in the LGBTQ+ community's resilience, creativity, and commitment to collective care. Fire Island as a destination has always been a safe haven for the LGBTQ+ community, and, over the years, has stayed true to its form - but added a few things here and there. This year, Fire Island Pines welcomed the beginning of the new Tryst Hotel , a LGBTQ+-focused upscale hotel brand that broke ground and will fully open in 2026. The pool, which is open this season, will host the pool party happening on Saturday, August 2nd. To understand the magic of Pines Party, one must return to its origin. It all began in 1983 when GMHC (Gay Men’s Health Crisis) launched a daytime beach party on Fire Island to raise funds for a mysterious and devastating disease that would later be named HIV/AIDS. Dubbed the "Morning Party", the event gained momentum for 16 years, becoming a beacon of unity and a lifeline for a community under siege. It was a place where queer New Yorkers, specifically, came to do something about an illness overtaking their community. But by 1999, GMHC stepped away from organizing the event. Rather than let the tradition fade, the local community took the reins and reimagined it as the Pines Party—a continuation of the celebration, with a renewed sense of purpose and local stewardship. Enter Guy Smith and Allan Baum , who inherited a waning event and transformed it into a global phenomenon. “That first party I worked on was the 20th anniversary of the very first beach party ever held out here—Beach 79,” Guy recalls. “That legacy of fundraising has always been part of the DNA.” And, over the years, it has never wavered from making that the root of the party's mission. In an exclusive conversation, Inspired Citizen  founder Anthony Berklich  sat down with the Pines Party team to dive into its evolution, meaning, and vision. AB: Guy, can you take us back to the very beginning? How and why did the Pines Party first start, and what was the original vision behind creating such a legendary event on Fire Island? GS:  Well, I didn’t create it—Allan Baum and I took it over 11 years ago. At that point, the party had become stale and was losing money. It wasn’t really aligned with what people were interested in anymore. It originally began in 1983 as a daytime party by GMHC, to raise money for a relatively new and devastating disease—what would eventually be called AIDS. It became known as the Morning Party and ran for 16 years. In 1999, when GMHC stopped supporting it, the people of Fire Island Pines took over to keep it going and raise more money locally. That’s when it became the Pines Party. I started out as a volunteer, and soon after, I was directing the light show for the night. That first party I worked on was the 20th anniversary of the very first beach party ever held out here—Beach 79—which raised funds for a new fire truck. That legacy of fundraising has always been part of the DNA. AB: Over the years, Pines Party has grown into more than just a celebration. What do you think it symbolizes today for the LGBTQ+ community, and how has its meaning evolved? GS:  Fire Island is a spiritual and deeply community-centered place. It’s always been a safe haven—especially for people who are queer, trans, or anyone who doesn’t fit into any traditional norms. The Pines Party has become the spiritual nexus of this community. It’s sort of our version of church. It’s about community, spirituality, vulnerability, and celebrating our differences. We’ve moved far from the early days when everyone tried to look like the same “gay clone”. Now, it’s about individuality and inclusion. The party has become much more queer in its identity—it’s not about masculinity and class and assimilation anymore. It embraces trans people, people of color, and others who’ve historically felt left out. AB: Have you noticed any meaningful changes in the way Pines Party has evolved since its inception? GS:  Absolutely. It started during the birth of the circuit party scene. In those days, circuit parties were about raising money for HIV/AIDS, but also about a certain style—masculine gay energy and a specific kind of music. As we moved out of the worst of the AIDS crisis, and with the introduction of retroviral drugs, the culture began to shift. Today, our music is more world-class house and less circuit-identified. There’s much more diversity now—more trans folks, more people of color. We’re actively working to create a larger tent that welcomes those who might not have felt included here before. AB: Many see Pines Party as a cultural touchstone within queer nightlife. How do you see it contributing to or preserving LGBTQ+ history and expression? GS:  Fire Island is a very intergenerational space. At Pines Party, you’ll find people aged 21 to 91—and importantly, those age groups mix. Older people learn new ideas from the younger crowd, and the younger attendees learn our queer history directly from those who lived it. It’s a place where young queer people can feel safe and vulnerable—where they can expand their social wisdom and connect with the roots of our culture from people who pioneered it. AB: Fire Island itself has a rich legacy as a sanctuary for queer identity and freedom. How do you ensure that the party stays true to that spirit while continuing to innovate? GS:  We’re leaning into queer, BIPOC, non-binary DJs and artists with unique musical perspectives who reflect our community and where it is moving. We’re always pushing to be on the cutting edge—musically and culturally, and want fresh perspectives and cultural diversity to enrich the amazing culture that already thrives here. We also use social media and other outreach to make it clear that this is a welcoming, non-judgmental, inclusive space. We don’t discriminate based on background, sexuality, gender identity, or finances—even though, admittedly, it is expensive just to exist here. We try to make it as accessible as possible, while still raising money for the very communities we want to include. AB: The party is not only iconic—it’s also philanthropic. How does it give back to the local community and support LGBTQ+ causes? GS:  One of our biggest beneficiaries is the Stonewall Community Foundation , which does tremendous work in the LGBTQ+ community. I just attended their gala and was really inspired by the breadth of important, on-the-ground work they are doing. We also support beach conservation and the broader preservation of the Pines as a natural sanctuary. Most importantly, the people who build this event—our committees and crews—are mostly volunteers. This isn’t a for-profit event. The few people who do get paid aren’t making nearly what they’re worth. It’s truly a labor of love. AB: As the cultural and political landscape shifts, how do you see Pines Party evolving over the next 5 to 10 years? Are there specific goals shaping its future? GS:  We want to stay at the forefront of music, fashion, and culture. That means continuing to explore themes that make people think—and sometimes make them uncomfortable in a way that promotes growth. We’re actively exploring how to better welcome people of color and others who have been historically excluded. That includes making room for more voices and perspectives in how the party evolves. AB: Without giving too much away, can you hint at what guests can expect from Pines Party 2025? Any big surprises or creative elements? GS:  This year will have the most art installations and interactive experiences we’ve ever done. It’s going to feel like a mini queer Burning Man on the beach. Look in corners, behind curtains—there will be hidden moments everywhere. And definitely don’t leave early. We have a majestic sunrise performance planned that’s going to be unforgettable. AB: Of all the years you’ve been involved with Pines Party, is there one moment that truly encapsulates the spirit of the event for you? GS:  One of the most unforgettable moments was my very first year producing. At sunrise, as the music faded, people began to leave. The tradition was that a board member took the microphone and thanked everyone involved, but instead—something magical happened. A massive, beautiful man walked into the ocean, lifted a mermaid off the sand, and carried her to the stage. He lay her down on a red velvet divan, and suddenly orchestral music began. Then she sang—an opera singer from the Met, performing Song to the Moon  in Czech. The crowd stopped. People cried. And I thought, This is it . This is what we’re capable of. The Pines Party is a convergence of thousands—from New York to São Paulo, Berlin to Bangkok—all arriving with open hearts, ready to connect, celebrate, and give back. Tickets may grant access to an unforgettable night, but what guests really receive is a sense of home. A celebration of queerness in all its glory. A fundraising engine for progress. A mirror of our past and a vision for our future. As the waves crash and the sun rises over Fire Island, the Pines Party remains what it has always been: a sacred space where art, identity, and community intersect. And in that golden hour, when music meets memory, the world feels more open, more loving, and freer. For anyone who believes in the power of celebration as resistance and love as legacy, Pines Party is not just an event—it’s a pilgrimage.

Hidden within the maze of sun-bleached rooftops and coral stone alleys of Lamu Island, Kenya, is a house that redefines luxury. It's not merely a place to stay, but a full-bodied immersive experience — a space that brings architecture, art, and the soul of East Africa into one magnificent expression. That house is Honeymoon House , an architecturally iconic private villa created by visionary filmmakers and design aficionados Chris and Roberta Hanley. The Hanleys are not strangers to dramatic beauty. Known for their avant-garde projects like the Invisible House  in California's Joshua Tree, they bring their cinematic eye and unrelenting creativity to everything they touch. Honeymoon House is their love letter to Kenya and, quite literally, a monument to their own honeymoon. Built on the tranquil and culturally rich island of Lamu, it has become one of the most celebrated luxury villa rentals in Africa, and a bucket-list escape for design lovers, A-listers, and global nomads alike. Getting to Lamu is surprisingly simple, yet the experience of arrival feels otherworldly. Kenya Airways  offers direct flights from New York to Nairobi, and from there, a seamless 45-minute domestic flight delivers you to the island. Upon landing, guests are whisked onto a boat, cruising across sapphire waters until the white silhouette of Shela Village rises like a mirage out of the sea. Here, there are no cars. The streets are made for donkeys and footsteps. Life flows to the rhythm of the ocean and the call to prayer. You feel far away from the world you left behind — and yet entirely at peace with no creature comforts spared. When you first set eyes on Honeymoon House, it almost doesn’t seem real. Looming yet elegant, bold yet serene, the villa was inspired by Omani forts, a nod to the architectural influences that have shaped coastal Kenya for centuries. But this is no reproduction. It is a poetic interpretation, realized with one-meter-thick hand-pressed blocks and layered with refined, minimalist interiors. The exterior features a jaw-dropping swimming pool that hugs the entirety of the home and overlooks gardens and the sea below. At the heart of the home is a grand tower that rises like a modern minaret. Initially conceived as a simple stairwell, the tower evolved into a suite of circular rooms: a wraparound terrace on top, a curved media lounge below, and a dramatic spa-style bathroom in between. Every curve, every finish, was hand-crafted by local artisans without the use of heavy machinery. Chris Hanley, working alongside architect Bernard Spoerry, conceptualized the original structure. Roberta refined the design and ensured the space felt lived-in, soulful, and sensual. The furnishings, crafted with master woodworker Hussein Alawi, are both sculptural and functional. The inlay work on the ceilings and furniture, black-brown stripes cut by white powder lines, is now a signature motif of their collaborative design studio Hanley + Hanley + Hussein . My own stay at Honeymoon House was transformative. From the moment you arrive, the staff, led by the exceptional manager Jackson, welcomes you with grace and attention. The home comes with a personal chef, a housekeeping team, servers, and even a boat captain for the private dhow "Casa." It is a full-fledged operation that feels luxurious, but comfortable and effortless - authentic at the same time. The cuisine is as thoughtful as the design. The chef, trained in California health-forward cuisine, prepares dishes that are both indulgent and nutritious. Flourless chocolate cake, homemade breads infused with vitamins, and of course, the freshest seafood imaginable. Olive oil is used instead of butter. Lamu crab, local snapper, and lobster spaghetti are culinary highlights. As Roberta told me, "We built this as an adult playground, a space of joy. And yet children love it too." In an exclusive interview with me, Roberta Hanley shared the origins and soul of the house: "Chris and I had just gotten married, and we took a two-month honeymoon. We traveled through Seychelles, across Kenya, and ended up in Lamu. We were enchanted by the island’s peace, its history, and its sheer magic. Dhows instead of cars, pristine beaches, and a hypnotic rhythm to life. We returned every year until one day, we decided: let’s build." What began as a holiday escape became a passion project. The couple insisted on sustainability, installing solar panels, an independent water system, and sourcing materials from the land. This is a true feat in East Africa. "It was all done by hand," she recalls. "Even the pool, 100 feet long, was measured by string. No machinery. Just love and labor." The home is now filled with custom-designed furniture, original architectural solutions, and what Roberta calls a "feeling of kindness." When you walk barefoot across the terrace floors, they feel like powdered stone — soft, cooling, gentle. It’s no wonder Honeymoon House has drawn some of the world’s most celebrated names. Julia Roberts , Sienna Miller , Jude Law , and even international heads of state  have called this villa home, if only for a few blissful days. And yet, Roberta and Chris treat every guest as a VIP. "You don’t need Gucci here," she told me. "What you need is a sense of openness and a love for beauty." From the inception of my stay, everything felt very casual and easy, effortless, as a holiday should. Lamu offers so much more than quiet luxury. As one of the oldest continually inhabited towns in East Africa, the island is a living museum. Guests can take UNESCO-recognized walking tours, explore Swahili cooking classes, shop for locally woven kikoys, or dive into clear waters filled with vibrant marine life. The chef at Honeymoon House will even give cooking classes. You can find lovely cafes and restaurants in Lamu, but the food at Honeymoon House is nearly impossible to beat. Activities on Lamu include days on the beach, or cocktails by the pool. You can sit with friends under the stars and have meaningful conversations. Or, even invite a Maasai group to the house for a traditional dance, a lovely welcome for a group that the house is happy to help you organize. And then, there are the dhows. One of the most unforgettable experiences of my trip was the sunset sail aboard "Casa," the home’s private dhow. A dhow is a traditional wooden sail boat, with a single triangular lateen sail. These boats have plied the Indian Ocean for centuries, carrying everything from spices to stories for trade. Today, aboard "Casa," the dhow becomes a stage for sunset magic. With cocktails in hand and light bites prepared by the chef, guests drift along the coast as the sky melts into gold. It’s not just romantic. It’s transcendent. "Expect joy," says Roberta. "Expect a place that doesn’t ask you to be anyone but yourself." Honeymoon House is ideal for families, couples, artists, wellness seekers, and small groups who crave privacy and presence. It’s not for the high-maintenance traveler needing designer shopping malls. It’s for those seeking stillness, adventure, and meaning. As for the future, the Hanleys plan to expand their sustainable farming efforts and deepen the connection between the home and the land. "Calm, laughter, and a sense of distance from it all. That’s what we want people to take with them," Roberta says. And they do. I certainly did. This is a place that has forever etched a place in my heart. For those truly seeking the best private home rental in Kenya, a celebrity-worthy retreat on the Swahili coast, or simply an unforgettable escape that fuses design, comfort, and cultural immersion, Honeymoon House is an architectural and emotional triumph. For booking inquiries, please reach out to Inspired Citizen or visit Muse Film  to inquire about availability.

Jake Resnicow by Paul Boulon In the kaleidoscope of modern queer culture, few names radiate as brightly as Jake Resnicow . More than just an event producer, Resnicow has become a beacon for the global LGBTQ+ community—a curator of joy, a cultivator of connection, and a champion of self-expression. As we step into the prime time of Pride season, there’s no better time to celebrate the creative person behind some of the most iconic queer events in the United States: MEAT , Planet Pride , and Dreamland . He even made a major splash at Washington D.C.'s World Pride this year - with performances by talent such as Jennifer Lopez. With a signature blend of high-impact production, world-class talent, and an unwavering commitment to inclusivity, Jake Resnicow has redefined what it means to throw a party. For him, each event is more than a night out—it’s a movement, a message, and a moment of magic for queer people to be unapologetically themselves. Planet Pride: A Global Celebration of Queer Power Few events during Pride Month have reached the epic scale and emotional resonance of Planet Pride. Conceived as a euphoric, all-day festival during NYC Pride, Planet Pride is a collision of art, music, and immersive experiences designed to awaken the senses and stir the soul. This year’s Planet Pride has expanded across multiple stages—each with its own vibe, musical genre, and visual identity. The result? A sonic and emotional journey that speaks to every facet of the queer experience. From chart-topping headliners to underground legends, the lineup is curated with intention, drawing in thousands from around the world who come not just to dance—but to belong . “In every event, I try to create a space where our community feels fully alive,” says Resnicow. “These events are love letters to the queer community, reminding us how vibrant and unstoppable we are when we come together.” It’s not just a party. It’s an anthem to the power of community and the beauty of queer liberation. MEAT: A Bold Underground Renaissance Resnicow’s MEAT event series is an homage to queer nightlife’s gritty, audacious roots. A dance party with attitude, edge, and a pulse you can feel in your chest, MEAT is where sultry meets spectacular. Known for its boundary-pushing visuals, daring fashion, and raw energy, MEAT fuses the underground with circuit and an international spirit. This year, MEAT is digging deeper into its bold, provocative roots - and even holding an event in Chicago for Market Days. “We’ve embraced a more global lineup,” Resnicow explains. “International talent is breathing fresh life into the night, and we’ve created a bolder, more immersive vibe that pays tribute to the queer rebels who paved the way.” A space where sweat and sequins collide, MEAT remains a favorite for those who crave connection, edge, and a sense of fearless freedom on the dance floor. Dreamland: Where Fantasy Meets Reality If Planet Pride is a declaration of power and MEAT is a celebration of desire, then Dreamland is Resnicow’s vision of queer fantasy come to life. Equal parts theatrical production, music festival, and immersive escape, Dreamland transports attendees into an otherworldly dimension—where queerness isn’t just accepted, but revered. Originally launched in Miami and later expanded into pop-ups around the U.S., Dreamland mixes DJ sets with cirque-style performances, interactive art, and neon-drenched decor. It's queer escapism at its finest—designed not just to dazzle, but to uplift . “It’s about creating environments that spark joy, creativity, and collective euphoria,” says Resnicow. And in doing so, Dreamland has become more than a party—it’s a destination for spiritual and artistic release. I recently spoke with Jake via email in celebration of PRIDE, about his inspiration, mission and the future goals of his events. IC: What is your inspiration behind each event that you create for the LGBTQ+ community? JR: At the core of every event is the intention to create a space where our community feels fully alive. I’m inspired by the power of music, movement, and connection to spark joy and belonging. These events are love letters to the queer community, reminding us how vibrant and unstoppable we are when we come together. IC: What components are special or new about the Pride events this year that have made their way into the program of Planet Pride, Central Park, and MEAT? JR: This year we’ve gone bigger in every way. Planet Pride expanded with immersive experiences across multiple stages, each with its own distinct energy. Central Park features our most diverse lineup yet, blending pop, electronic, and queer icons in one of the most iconic locations in New York. MEAT is embracing its underground roots, with international talent and a bolder, more provocative vibe. Across all three events, we’re pushing creative boundaries while staying rooted in community. IC: Your events create a safe space for members of the LGBTQ+ community to gather. What is it about your events you believe keeps the community coming back for more? JR: It’s the feeling of home. People come not just for the music or visuals, but because they know they’ll be welcomed, celebrated, and surrounded by love. We pour so much into the details—curation, production, talent, flow—but what really keeps people coming back is the energy. It’s heartfelt, intentional, and magnetic. IC: What are you most excited about for this year’s Sunday Central Park event, Dreamland? JR: Central Park is a dream location. What excites me most is watching our community come together in the heart of the city to celebrate in such a joyful and powerful way. Seeing thousands of people dancing together as the sun sets, surrounded by love, freedom, and music—that’s what it’s all about. IC: What does Pride mean to you? JR: Pride means showing up fully and unapologetically. It’s a celebration of who we are and everything we’ve overcome, but it’s also a commitment to keep pushing for visibility, equality, and justice. Pride is about honoring our past while creating space for future generations to thrive. For me, it’s the reason I do what I do. IC: Do you have a dream or particular goal with your events in the future, or someone/a DJ or performer you would like to incorporate or work with? JR: There are so many dreams still to chase. I’d love to bring these experiences to new cities and countries where queer joy is still radical. I’d also love to collaborate with icons like Robyn, Madonna, or Beyoncé—artists who understand the cultural force of music. But more than anything, I want to keep building platforms that elevate LGBTQ+ voices and create meaningful, lasting impact. Jake Resnicow’s impact on the LGBTQ+ landscape is undeniable—not just in terms of scale or spectacle, but in the soul of what he creates. His events are not only destinations for entertainment, but sanctuaries of self-expression. They are spaces where queerness is not only seen, but celebrated  in its full glory. In a time when LGBTQ+ rights are still under threat in many parts of the world, Resnicow’s work is a radiant reminder of the resilience, brilliance, and unity of the queer spirit.

When it comes to how we present ourselves to the world, nothing is more important than our smile. It’s the first thing people notice, and it can instantly communicate confidence, joy, and warmth. As someone who frequently travels, appears on camera, and hosts high-profile events, maintaining a beautiful, healthy smile isn’t a luxury — it’s a necessity. That’s why I trust the team at Lowenberg, Lituchy & Kantor (LLK)  in New York City. From the moment you walk through their sleek Central Park South office, you realize this is not your typical dentist's office — it’s a world-class destination for smile transformation. LLK has built an unmatched reputation as one of New York’s top cosmetic dentistry practices, known for their stunning veneers, preventive care, and expert cleanings. And yet, despite their long list of celebrity clients and decades of media praise, what struck me most was how personalized and welcoming their approach is. Every patient is treated like a star. I recently sat down with Dr. Marc Lowenberg , one of the founding partners, to better understand what sets LLK apart. As he explained, their most sought-after service is the application of porcelain laminate veneers — an artful and life-changing process that can align crooked teeth, close gaps, and change both the shape and color of teeth in a way that still looks incredibly natural. “The goal,” Dr. Lowenberg told me, “is for you to look like yourself — only better.” And that’s exactly what they deliver. One of the most impressive parts of LLK’s cosmetic dentistry process is that they have their own in-house ceramist. This means every veneer is custom-designed, hand-colored, and crafted on-site. It’s a rare luxury, even among the best dentists in NYC. Unlike many other practices that rely on third-party dental labs, LLK maintains total control over the aesthetic outcome. Your skin tone, facial structure, hair color, and even your personality are all considered in the design of your new smile. It’s a fully bespoke process — dental artistry at its finest. So, what does a smile makeover at LLK actually look like? It begins with an in-depth consultation and smile design. At your first appointment, the teeth are carefully prepared and temporary veneers are created. Already, you see a visual improvement. Over the next two weeks, your temporaries can be adjusted until they’re perfect. Then, at the second appointment, the final porcelain veneers are bonded to the teeth, revealing your new, natural-looking smile. A follow-up visit ensures everything feels and functions comfortably. Beyond cosmetic dentistry, LLK is a leader in preventative care and teeth cleanings. Their hygienists are gentle yet thorough, and appointments feel more like spa experiences than clinical procedures. I appreciate that their cleanings go beyond routine — they educate you on how to maintain healthy gums, prevent enamel wear, and keep your investment in tip-top shape. As Dr. Lowenberg notes, maintaining your veneers (or any great smile) comes down to the same habits as natural teeth: brushing, flossing, and regular cleanings. The team also helps patients understand the difference between veneers and crowns, offering conservative solutions whenever possible. Veneers require far less tooth reduction than crowns, making them ideal for most aesthetic cases. And if you grind your teeth, LLK ensures protection with custom night guards to preserve your new smile. For anyone looking to refresh their smile in New York, there is truly no better destination than LLK. Whether you’re well-known or simply someone who wants to look and feel their best, this is the practice that delivers dazzling, natural results — and does so with warmth, discretion, and artistry. From my own experience, I can say that walking into LLK is like entering a sanctuary of beauty and care. You leave not only looking transformed but feeling it too. That is the real power of a smile makeover.

Ethiopian Airlines is one of the fastest-growing airlines in the world, with an impressive and diverse array of destinations reached through its central Addis Ababa hub. Considering its new plane orders, rapid expansion, reoutfitted business class product, exceptional on-board service, and a bevy of new routes added to its network recently, we are naming it the top airline in the world for 2025. The airline recently added Airbus’ A350-1000 to its fleet, the new ultra-long-haul airplane that allows for a greater seating capacity, and more premium seating for the airline. This particular addition allows Ethiopian Airlines to add even more long-haul routes to their network.  I’ve been a passenger on Ethiopian Airlines in the past as I’m a lover of the continent of Africa and its many countries. The airlines’ hub of Addis Ababa is ideally located for transfers connecting other areas such as Europe, North America, and the Middle East to Africa. My recent experience was flying from Washington, D.C. to the stunning island nation of Seychelles, remotely positioned in the Indian Ocean. But, Seychelles can also easily be reached with the airline from JFK Airport, with an extra refueling stop in Abidjan. Ethiopian Airlines offers direct flights from North America to Addis Ababa from major cities like New York JFK, Newark, New Jersey, Chicago, Atlanta, and Washington, D.C. Addis Ababa is not only a thriving metropolis worth a visit on its own, as well as greater Ethiopia beginning to draw eyes from the international travel community - but it’s a very convenient place to stop on your way to places like Cape Town, South Africa, Botswana, Namibia, Zanzibar, and Rwanda, all destinations where the airline flies. Traveling from Washington, D.C.’s Dulles Airport to Addis Ababa in 14 hours was easy, and the 3-hour flight from Addis Ababa to Victoria, Seychelles felt like a breeze. It was the fastest route to Seychelles from North America compared to other airlines that service the destination. Ethiopian also serves major business cities from the United States like: Abidjan, Lome, and Monrovia - making the airline a true business/leisure option. I arrived at Washington, D.C.’s Dulles Airport about an hour and a half before my flight to Addis Ababa. Check-in was effortless and I was pointed to the special “Cloud 9” Business Class check-in area. This made things easy and smooth, streamlining the process and allowing me to collect my boarding pass and hand over my checked baggage in under ten minutes. I moved through security and went to my gate where we began boarding about 30 minutes after I sat down. Cloud 9 passengers were called first and I was welcomed warmly aboard by the friendly Ethiopian Airlines crew, being directed to my seat quickly. I placed my carry-on baggage overhead and took in my surroundings. Ethiopian Airlines typically operates an Airbus A350 on this route and the business class seats are all outfitted to be incredibly comfortable. The national colors of the country are prevalent everywhere - green, yellow, and red. The airline is very proudly Ethiopian and you see, feel, and taste Ethiopia in every fiber of this flight, which I love.  The seats in both economy and business class are comfortable, but Cloud 9 Business Class is particularly inviting. The seats recline to a full flatbed. The entertainment system, storage, pillows, and blankets all come together in some kind of special harmony tucked inside a little nook where privacy isn’t a problem and you can kick back and rest on the long journey. Soon after being seated one of the lovely flight attendants came along to offer champagne and orange juice. I chose champagne, naturally, and soon we were wheels up and off to Africa. As I perused the seemingly endless menu of food and beverage options, I settled on the traditional Ethiopian “starter” experience. The airline offers Western meals for those who aren’t as adventurous but, trust me, if you love unique cuisine - please opt for the Ethiopian spread. The flight attendants dressed for meal service and began to roll down the aisle with bubbling pots full of traditional chicken, lamb, beef, and vegetable options. On the flight, you will find items like Doro Wot (spicy chicken stew), Yebeg Alicha (Ethiopian style lamb goulash), Ethiopian Beef Tibs with Awaza (Ethiopian fried beef), Ater Kik (split yellow peas with sauce). I am telling you, each dish was more heavenly than the last and it's all eaten with the Ethiopian staple sponge-like pancake, Injera - which is made from teff flour. Teff is the national grain of the country and it’s the backbone of Ethiopian culture. After the Ethiopian dishes, I opted for sea bass as my main course and that was followed by an endless array of cakes, chocolates, Ethiopian coffee, tea, and cordials. I loved that the airline serves wine from various countries, but highlights their own Rift Valley red and white. It’s all very unique.  When meal service was through and as the cabin lights were dimmed I put my seat into flatbed mode and turned on a classic film that I could drift off to. The entertainment options are plentiful but, within 40 minutes, I was drifting away. I woke only for breakfast service, around 6:30 a.m., about an hour from landing in Addis Ababa.  We glided over the green and grey jagged mountains and through the clouds for a smooth landing at Addis Ababa’s Bole International Airport. As I stepped off the plane I entered a bustling airport filled with passengers from around the world connecting to far-off places, and some traveling within Ethiopia to sights like Lalibela, the Simien Mountains, and the Bale Mountains. I followed the signs for the Cloud 9 Business Class lounge and was admitted after showing my boarding pass for my connecting flight to The Seychelles. I found a comfortable seat in the lounge, grabbed a coffee, and looked over the many food options for passengers in the lounge. I honestly couldn’t indulge because I was still incredibly full from my flight. Not more than 30 minutes had passed before I was approached by a lounge attendant and told that it was time to board my flight to Victoria, Seychelles.  My flight to The Seychelles was full but boarding went off without a hitch. My entire experience within the two airports I had been in with Ethiopian Airlines couldn’t have been easier thus far. I see why the airline was recently named “Best Overall in Africa” by the APEX Passenger Choice Awards. We soon took off to the tropical Indian Ocean islands and I was seated in business class on this plane, too. The flight is a mere 3 hours, so the business class cabin is smaller but service is not less than perfect. I was offered a printed menu and chose the same round of Ethiopian national dishes to start, but selected something different as my main - a lovely chicken dish. I took a brief nap and was soon descending over The Seychelles’ turquoise waters. What I love most about Ethiopian Airlines is the kindness of the in-flight crew. I have never had one poor experience with them. They are always approachable and willing to do whatever they can in their power to make your experience great. I can tell the kindness comes from a genuine place, it’s not forced or manufactured.  For people who travel to or throughout Africa, no better airlines connect you to even obscure destinations. The airline offers service to places like Liberia, Brazzaville, Congo, Conakry, Guinea, Sudan, and other capitals that are less visited. This is very exciting not only for business travelers but for leisure travelers who are explorers at heart. Ethiopian Airlines is the entire package of comfort, kindness, ease, and options - all critical elements of successful travel internationally. If you travel in 2025, especially to Africa, make Ethiopian Airlines your choice carrier. You will not regret it.

One of The Seychelles' newly opened private island resorts is an incredible oasis of peace, calm, and sheer luxury - The Waldorf Astoria Seychelles Platte Island is a shining example of what every private island experience should look like. A mere 20-minute flight from the country’s main island of Mahé, The Waldorf Astoria Seychelles Platte Island is easy to reach, but a world away. Here you can truly let go and sink into the simplicity of desolate beach walks, colorful sunsets, and floating breakfasts, without ever leaving your private villa. This is a place for those who enjoy discretion and privacy, with the option of joining the larger resort community for meals and entertainment. I spent three nights on Platte and found myself utterly stuck on the energy that permeates throughout the nature surrounding the glimmering pools and modern, stunningly decorated common spaces. I’ve never slept better or felt more rested in my life, and that alone was enough to make me want to book a trip back.  The quick 20-minute flight from Mahé leaves you on a private runway with welcoming hand waves in the distance by the island’s friendly staff. Many of the people working here come from various countries around the world and offer something unique to the general service approach of this particular Waldorf Astoria. I met staff members from Serbia, Madagascar, Ukraine, and The United States. Somehow, that diversity makes the experience better and is always a good conversation starter when you’re being shuttled around in golf carts or passing a friendly face along a palm-fringed path while riding your bike. I was welcomed on the runway by the general manager of the hotel and my villa’s butler, who made it clear to me that her job was to be sure my stay was enjoyable. She promptly took my passport, gave me her Whatsapp number in case I needed anything, day or night, and helped me into a golf cart to give me an island orientation and usher me to my home away from home for the next few days.  Platte means flat in French, and flat this island is. It’s covered in palm groves and rich vegetation, and whichever direction you go, you’re bound to hit a white sand beach juxtaposed against some of the most azure, crystalline blue waters. As I made my way down the path and to my villa I saw not one other guest, really giving the sense that this place is totally private and can be your little playground if you wish. As I entered my villa I was immediately in awe. Somehow, in the middle of the Indian Ocean, in this secluded spot, Hilton Worldwide (the parent company to Waldorf Astoria) managed to create the most luxurious refuge for those who really pay attention to the details. The resort offers 50 sea-facing villas with private beach access, some branded as a “King Deluxe” and some that can accommodate large families or groups, such as the 3-bedroom villa masterpiece. I was in a “Deluxe King” and, let me tell you, it was huge. The villa offered a stunning open floor plan with a large living area with a massive flatscreen television, a built-in coffee bar, a beverage center, and private deck access. Passing through into the bedroom I found the most comfortable king-sized bed with a gorgeous canopy hanging over it. Swaths of linens hung on the sides which can be used elegantly as a barrier for mosquitos. Entering the bathroom there was one of the deepest bathtubs I’ve ever seen in a private hotel room anchoring the space with three vanity areas. There’s ample room for a couple to embark on their own bathroom routines without interfering with each other. The rain shower was a true walk-in that could fit an entire army in need of a scrub down, and everything from the lighting, mirrors, and even full-sized bathroom amenities was perfect.  After settling in a bit with a glass of champagne from my lovely welcome, I unpacked in the massive dressing area. My butler offered unpacking and pressing services, which is an amazing option for those who truly want to avoid "everyday" experiences while in this dream place. I unpacked myself (I’m particular), but sent a couple of dinner shirts to be pressed. They came back perfectly wrinkle-free.  Outside of my villa I had what can only be described as an expansive deck leading down to my own private infinity pool and front yard which was at least .25 acres in size. At the end of my landscaped yard was a private entry to the beach. It was all so perfect. I took a dip in my pool to freshen up as it was warm and humid, and returned inside to shower and prepare for dinner. The Waldorf Astoria Seychelles Platte Island offers 2 bars and 3 restaurants, all with different concepts. When you’re this isolated, it’s critical for a property to have various culinary offerings to keep guests interested over the duration of their stay. I tried all the restaurants while on the island which included: Maison des Epices (Creole-Latin), Moulin (a mainly vegan spot that utilizes harvests from the on-island gardens in all the dishes), and La Perle (Mediterranean with a poolside terrace). Each spot has its own look, personality, and literal flavor - and they’re all worth a visit. I personally loved Maison des Epices where I embarked on a rum tasting throughout dinner, including the rum created by the island in partnership with local Seychelles rum manufacturing icon - Takamaka. The food on the island is superb and the chefs are willing and able to customize most anything for each guest’s wishes.  The Waldorf Astoria Seychelles Platte Island being located in a very remote and fragile part of the world stresses the concept of being eco-conscious. This includes heightened awareness and protection of the nesting turtles that call the island home, bird population, reef creatures, and flora and fauna. They have invested a great deal in staff and programs to help preserve and protect these things, as well as to help encourage the growth of new plants, coral, etc. While visiting the island you can take advantage of learning about all of these interesting programs by speaking with the on-site marine biologist, or even taking a private boat ride out into the reef to snorkel with a guide. I learned more than I expected to on this trip and came away feeling fairly educated on what’s happening, nature-wise, on some of these remote Indian Ocean islands. Days on Platte can be spent lounging, swimming, boating, playing tennis, working out, or all of the above. I did a bit of everything over my 3 days there and spread my activities out throughout the day. Interestingly, I thought I was going to be sleeping in every day because, well, it was kind of a vacation for me but, instead, I was waking up at 5:00 am. I would quite literally naturally want to go to bed around 9 pm and slept like a rock until 5:00 am - waking up with a kind of freshness and rejuvenation I haven’t felt since I was a child. I loved this schedule and leaned into it over my time in The Seychelles. In the afternoons, I would stop at the fabulous coffee bar on the pool deck right outside La Perle and let the coffee master make me a delicious coffee concoction from coffee beans sourced from different African nations.  At this property, everything just flowed - the cocktails were always expertly crafted, wine poured freely, and snacks from the pool menu were put together with the freshest of ingredients. Whether in your villa, by the pool, or at one of the many restaurants, service here at The Waldorf was phenomenal, which demonstrates Hilton’s commitment to leveling up the experience of guests staying at one of the properties under their most luxurious hotel label. Every T was crossed and every I, dotted. As my 3-night stay came to a close I spent time asking other guests how their stay was and they were all very relaxed, very pleased, and eager to come again. That says a lot. I know I’m looking forward to my next rendezvous with Platte Island and The Waldorf Astoria.

Tortuga Bay , located in an exclusive enclave of Punta Cana, Dominican Republic, is paradise, in every sense of the word for its sheer effortlessness and ease. I had never traveled to Punta Cana before, despite visiting The Dominican Republic many times. Why? Because I was always under the impression that the area was synonymous with all-inclusive hotels and travelers who who there to party, and that it might not really represent the authenticity of a destination that I knew inherently had so much to offer. But, I was wrong. Flying-in to Punta Cana couldn’t be easier as the airport is literally a 15-minute drive from Tortuga Bay and some of the other luxury hotels within this resort community. This time I flew from St. Maarten, as I had previously been on the island of St. Barth, so had to land a little further afield, in Santo Domingo, a 1.5 hour drive away.  Getting to Tortuga Bay was easy. The concierge arranged a private transfer, and, in no, time, I found myself entering the gates of Punta Cana and Tortuga Bay - a sanctuary of peace and relaxation. Tortuga Bay was designed by legendary Dominican fashion designer, Oscar de la Renta, as he absolutely loved this area of DR and lived nearby. The 30 rooms on-site are all stylish, exude understated luxury, and offer everything from one bedroom suites, to two-bedroom suites suitable for families. The rooms all have  kitchenettes, terraces, ocean views, huge flat screen televisions, and 24-hour room service. The property sits within a stunning 1,500 acre ecological reserve - with the nearby Ojos Indigenas (Indigenous Eyes Ecological Reserve) to explore. When I arrived, I was welcomed and check-in was done right in my suite - the easiest and best way in my opinion.  For me, almost immediately, what struck me about Tortuga Bay was the level of service and attention to detail - layered with personalization. During my first breakfast this was evident when the staff began to suggest things from the kitchen in the gorgeous poolside dining room. I opted for the Dominican breakfast - a mix of fresh fruit, eggs, sausage, fried cheese, and mangú, which are salty mashed plantains (almost like mashed potatoes, but heartier). They brought freshly squeezed orange juice, tea, and coffee - and noticed that I usually started with a cappuccino and moved from there to green tea. Each morning after this, without fail, they brought my beverages without being asked and remembered exactly what I had ordered the day before. And, from the moment I walked into the place, every person knew my name. I was impressed.  Tortuga Bay is a place for relaxation and for doing as much or as little as you’d like. The property is owned by Grupo Puntacana who also manage The Westin Puntacana Resort and the dining sites within the greater resort. So, upon arrival, you are assigned a golf cart which you can use to tool around and get from golf lesson, to tennis appointment, spa treatment, to beach. I was at Tortuga Bay for two nights, so my agenda was simple - spa and beach. If I had stayed longer, I would have golfed or played tennis, but I felt that taking advantage of the spa was more up my alley. The Six Senses Spa, with no relation to the Six Senses Hotel Group, is a haven of relaxation located right in front of the water. I had one of the best massages I’ve had in a long time here, in a large candle lit room, and was able to relax afterwards with views of the sea. Most of my time at Tortuga Bay was spent right outside my suite, on the beach. The beach staff are incredibly helpful, fun, and kind - setting up towels and chairs and suggesting menu items to try while your toes are buried in the sand. The ceviche, served in open shells, is divine, as well as the tuna tacos. There are plenty of options for seafood and non-seafood lovers. Cocktails are wonderful, my favorite here being the strawberry daiquiri, but the staff is always happy to whip-up something custom if you are open to it. I did this on a couple of occasions and it paid off with a fresh mango vodka concoction that was heavenly. While at Tortuga Bay, you can choose to dine in many places. Chilean Chef Cristian Shinya runs the kitchen at Bamboo and La Yola. La Yola is located at the Marina within the Puntacana Resort, right on the ocean, and features Mediterranean fare. Bamboo is by the Tortuga Bay private pool, shrouded in Palms, and offers locally sourced cuisine with some Mediterranean influences. There are other options as well including Brassa, a steakhouse, and my favorite, Bao, which serves phenomenal Pan-Asian cuisine - with items from China, Korea, Japan, and more. You really can’t go wrong with dining here.  If you’re looking for a party, of course you can have someone drive you 20 minutes into Punta Cana’s heart where you’ll find bars, other restaurants, nightclubs, and other spots to see. In fact, Galerias at Puntacana Village, offers ample entertainment for daytime and evenings. But, coming back to Tortuga Bay is always the highlight. What works about this place and what makes it truly luxurious is how easy it is here. It’s close to the airport, it’s an easy flight, your name and preferences are remembered from the time you set foot on property, the quality is top notch, and all you have to do, literally, is relax. It’s no wonder some people end up buying a home within the resort itself in one of the many residential communities. I can’t wait to return.

New York City boasts a large amount of hair salons, probably more than any other city in the world; but one stands out as the top - checking all the boxes in terms of style, character, product output, and understated cool-kid glam. Kinhouse , helmed by husband-wife duo Robin and Jaime Lynn Capili, sits in a giant SoHo loft on Greene Street in Manhattan and acts as more of an immersive brand experience than a simple hair salon. With its open floor plan decorated with largely reclaimed and vintage furniture pieces, and custom-blended coffee created just for the salon, clients are urged to take a seat, grab an iced latte and stay a while. Around every corner you can find one of many talented artists transforming New Yorkers, and some clients that fly-in from near and wide, into the best versions of themselves. I have been one of those clients for over a decade, long before Kinhouse ever existed, because the message and goal was always the same from the founders who met working at Sally Hershberger. The message was to be yourself, experiment with your look and, most importantly, to have fun. I followed Robin from Sally Hershberger to his first iteration of Kinhouse located inside the Todd Snyder store in the NoMad area of Manhattan, then called Kin Room, to his current house of creativity. And, in all honesty, I wouldn't let anyone else touch my hair. As the elevators part and you step out onto floor 2 of the building, Kinhouse has a way of pulling you in. What keeps you there time and time again is the pool of talent in which you have access. The colorists are all unique and superb, and those who weild scissors work magic. Robin himself uses a combination of carefully chosen scissors, razors and trimmers to achieve my look - and we've tried a lot of looks over the years. What I know for sure is that my hard-to-cut locks are not for the faint-of-heart, and it's not easy to achieve the look I have, as simple as it may appear. But, Robin always finds a way to make it work and bring out the best of me in that way. It's for this same perspective and expertise that many of New York's most well-known fashion designers, talk show hosts, and businessmen all book his coveted appointments weeks in advance. He's not your run-of-the-mill barber. I see Robin every 10 or 14 days, depending on my travel schedule, and I time my appointments based on planned trips and work events where I want to look my best. If he's not available for some reason, I throw on a hat until he is. As, every time I've gone rogue and tried to cut my hair with someone else in between, let's just say it hasn't worked out in my favor. Kinhouse offers appointments all week long, except for Sundays, and for anyone coming to the salon in the afternoon or evening, they're happy to pour you a glass of their custom Kinhouse wine from Napa Valley. Or, shake up a cocktail of your choice. Because I like to experiment with my hair and, let's face it, stand out - I also see one of Kinhouse's top colorists, Danielle Waterman. Danielle is an award-winning colorist called-upon for her unique color techniques and versatility. She can quite literally create the most creamy, buttery blonde, which she does on me, or something more extreme like lime green or mermaid, multi-color pastels. What's incredible about Danielle is that she's solution oriented and, instead of spending her time telling you why something might not work, she'll find a way to make it happen - and make it look outstanding. I spoke with Danielle recently, after having my hair colored, about her career as a colorist and her goals moving forward. All of her creations can be seen at @DaniWatermanHair. IC: What made you decide to go into the business of hair, and why color specifically? DW: I claimed being a hairdresser as early as 4 years old. As a kid I was always into anything art related, and particularly fascinated by hair and beauty. When I was a teenager I started coloring my own hair with whatever I could get my hands on. After lots of self-experimentation the decision to make this my career felt natural. IC: What has been one of your favorite projects to work on during your time as a colorist? DW: I became very passionate about entering hair competitions a few years ago. It’s one of the only times I have 100% creative freedom to bring what’s in my mind to real life. I learned to color wigs, which served as a blank canvas for my ideas. Every collection I’ve created so far have been my favorite projects. IC: Tell me about a particularly proud hair moment you have as a colorist? DW: I was recently nominated as a color finalist in the North American Hairstyling Awards, which has been a dream that felt nearly impossible a few years ago. I worked very hard to put my work out there and it’s such an honor to have that work recognized. IC: What tips or tricks do you have for blondes to keep their blonde blonde-ing between colors? DW: Be aware of the elements that you’re exposing your hair to! A lot of people don’t realize that heat, hot water, the sun, salt water, and many other things can diminish the quality of their color. Blonde is a particularly delicate color to maintain, so don’t underestimate things like using products that have heat protection, cooler water in the shower, and wearing a hat in the sun. IC: What can clients expect while collaborating with you on their hair color? DW: I ask lots of questions! We’ll start with inspiration photos, and I really like to pinpoint what specific elements you’re drawn to. I also want to know what you don’t like, and any unpleasant hair experiences you’ve had in the past. My goal is always to give you a look that aligns with a level of maintenance you’re comfortable with so that you can look forward to your next appointment, whether it’s in 6 weeks or 6 months. IC: Are there any particular career goals or achievements you’d like to accomplish in the near future? DW: I would love to get into a role of artistic direction, eventually collaborating with brands on photoshoots for hair color campaigns. The creative process and seeing the end result is so exciting to me.

Marie Cousty is, by far, Paris' top aesthetician. A true magician when it comes to taking tired, sagging skin and sculpting it back into shape - Marie has been working with the brand Biologique Recherche for years. Marie is an expert at analyzing skin at first sight, and coming up with treatment solutions that can cure everything from jet-lagged skin, to problematic inflamed skin. I was a recent client of hers on a trip to Paris and was thoroughly impressed with not only her kindness, but ability to transform my face - making it look fresh after a 7-hour, relatively sleepless overnight flight. Walking into Marie's sanctuary, you'd never know it was there unless you knew exactly where you were headed. Tucked away within a pretty, quiet courtyard in Paris' 17th Arrondissement, Marie greets clients at the door with a big smile and welcomes you into her home away from home. Candles are lit and everything, including the treatment table and products, are placed perfectly in their spot - nothing out of place. You feel a world away though you are right in the center of Paris. I had just gotten off an international flight and had all of 2.5 hours of sleep - and my face looked it. My mug had fallen and I needed a little pep to help me lookmy best throughout a planned weekend of non-stop meetings and activities. Biologique Recherche is Marie's product line of choice, and it is my absolute favorite in terms of efficacy and long-term benefits. Whenever I see professionals opting to use this brand, I immediately have a level of trust in them that I place in no one else. Marie greeted me and quickly I was on her table for a 90-minute treatment. She looked over my face and noticed spots of dryness, loss of firmness and elasticity, and other issues - but knew exactly how to handle it. She went through, step-by-step, cleansing and exfoliating my face, drying it to work-in serums, moisturizers, and more. But, throughout the treatment, she used her hands to apply firm pressure and sculpting movements to help my muscles "remember" how to stay up, close to my facial structure combatting the "saggy" took. Oftentimes, Biologique Recherche practitioners use a combination of their hands and a micro-current machine to achieve these results, but Marie only uses her hands. And, the results she achieved on me with her hands were unreal. By the end of the treatment, she had completely drained my face of puffiness, excess fluid, and slowly sculpted my muscles around my jawline and cheekbones - creating a firm and snatched look that is typically seen after a heavy-duty treatment in a dermatologists office. Marie literally performed a miracle. My eyes were open again, and I, quite honestly, looked great. After our time together was complete, Marie showed me my face in a mirror and I was stunned. I looked as if I had a full night's rest, but for seven days in a row. I couldn't believe it. I have had these facials all over the world, but never with the results like I saw with Marie. She puts her heart into her work and you feel it with every movement and word. She's as kind as she is talented - which makes the entire experience even better. For anyone in Paris for the Olympic Games, or any other vacation, fashion week, or even a family visit - you must make an appointment with Marie.

Chelsea Frames is a jaggernaut of framing located on 9th Avenue in the heart of New York's Chelsea neighborhood. An institution called-upon by residents of the city and further afield, from all over the world, and even by some of the country's top gallerists and museums - this operation has earned a reputation of being the go-to for anyone looking for truly unique and custom framing. We have worked with Chelsea Frames for years and called upon them recently to help us with the framing of a an antique Guinean food storage door, as well as a collection of personal polaroid photos taken at an event in Ireland. Not only did they do the job, as expected, but went above and beyond to be sure the final result was out of this world. One of the projects at hand was to frame a collection of polaroid photographs taken at an event at Lismore Castle in County Waterford, Ireland. Polaroids, no matter how interesting the content, could be framed in a very boring, nondescript way. But, Chelsea Frames enlisted one of their top framing consultants who helped formulate the idea to place them in various positions to create a more randomized look, and wrapped the design with a glossy black frame with just enough thickness to give the photos room to breathe. The final result was beautiful and attention-grabbing, and was hung just below a framed installation of the deconstructed invitation that was sent for the event - marrying everything beautifully The second project was to frame a 120-year-old door that was obtained through an antique dealer in the West African nation of Guinea. The door is old and dry, making it very delicate. In Guinea, especially in the mountain communities, these doors were used to cover holes dug in the ground to keep perishable food safe and cool away from the sun. Chelsea Frames evaluated the piece and chose a method of framing that would allow the door to hang, but in a "floating" way - appearing as if it were just suspended in air inside the frame covered with non-reflective museum glass. Brilliant! The team was incredibly careful not to damage the piece, and it was hung in the dining area of the space. Every detail of both projects were looked after meticulously by the company and its employees. After the framing was complete, we spoke with co-owner and framing expert Daniel Beauchemin about Chelsea Frames plans for the future. IC: Chelsea Frames has been a staple in the New York City art world for many years. What is new and interesting about the operation we can share with our readers for 2024? DB: We just turned 40 last year - July 1983 !! 19 years on 8th avenue at 21st and now almost 22 years on 9th avenue, and we have just renewed our lease for another 10 years and hope to secure another 3500 square feet in our building in the coming year. Our design team has never been stronger - we've recently added two experienced designers that really round out the team with their experitise. We also are about to have 5 veteran framing technicians sit their Professional Framer exams. We have been part of this group for almost as long as we exist and boasted the only accredited Professional Framer in NYC. We will be adding 5 to that, which really distinguishes us. Being an educator myself in the framing Industry for the past 20 years - I teach and lecture and write articles. I am finally embarking on completing two books which I hope will be completed by 2025-2026. In that role I continue also my consulting work to the large manufactures on design trends and needs for the industry. We have also added an in-house conservation specialist for works on canvas or board. This broadens the services we offer. IC: How is working with Chelsea Frames different than working with another framing outfit in the city? DB: I could give the true easy answer and just say its because we really care. That is the bottom line. Our mission clearly states that we must find the "best framing solutions for every piece that is brought to our studio". It's not the cost - it's not trying to be clever - it's finding the BEST SOLUTION. In some cases - its cost - or design or any other concerns but our mission is to find solutions! There are enough complicated things in life - framing should not be one of them. Our team also works closely together to ensure that at any moment any question that arises can de handled. Our work is also guaranteed for life - that's how much we believe in ourselves and our work. IC: How do you and your team approach each framing project, such as choosing frame materials, color, style, and other elements? DB: We always start by asking the client - what are your thoughts? Where will the piece live? is it part of a grouping that will impact the design process. Once we have those elements - we look at what is best for the art and design the work. One design principle we adhere to is that the art is the star - our frames serve a physical need to protect the art and enhance it, but never overpower it. The frame should never be telling its own story - it is the punctuation to to the story the art is presenting to us. When presented with historic work - we pour knowledge of furniture and art periods to help enhance our choices. IC: You have your own woodworking shop located in your storefront, which is rare. This allows for precise customization. How custom can customers expect their framing to be by utilizing this service? DB: We are indeed privileged to have our workshop on the premises. The artwork never leaves our studio, which is a safety factor. We are also able to produce rush items - having a stock of raw wood with which to work. Besides thousands of factory made frames (which can all be modified if needed) we are able to work from raw wood and match finishes, sizes and copy any frame that exists. I proudly tell our clients - if I can draw this - we can make it. IC: Chelsea Frames does a lot of incredible work in the local community. Are there any projects or goals you're spearheading this year? DB: Our philanthropic work is of the utmost importance. We not only support our local community - including schools and local charities or institutions but work with a number of NYC institutions making sure we help in preserving art.  We also have plans to host lectures this year with the two top paper conservators with whom I have worked the last 30 plus years to deepen our knowledge and product awareness. IC: What has been one of the most exciting projects you've worked on over the past year that you can share with us? DB: Every project makes us happy - every project teaches us something. We have recently been able to restore some oil paintings and reframe them - they were quite damaged and the client had no expectations - but we were able to repair tears and touch up after cleaning - the results were spectacular. We also had the privilege of reframing an extensive collection of late 19th early 20th century works - keeping a reference of the period but helping relocate these works from a Manhattan Townhouse to a Hamptons beach house. Respecting the art - the final results were breathtaking in their modernity - yet nod to the past. Many of these will soon be featured on our social media.

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